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Самое смешное

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Radio Alaska NSK old fashioned rock music. Группа - как радиоэфир, с трудом прорывающийся с крайнего севера Америки и теряющий след где - то в Сибири!
Под влиянием electric blues и самых несовременных его производных...
The band is like a radio broadcast, just barely breaking through from the extreme north of America and losing track somewhere in Siberia!
Influenced by electric blues and its most outdated derivatives...
И да, мы, музыкой, не несём философскиx message и какие - либо попытки удивить слушателя. У нас узнаваемые стилистические и жанровые рефрены и какой - никакой жизненный опыт. Так что Мы, черт возьми, намерены исчерпывающе кайфануть, от исполняемого, сами и вызвать ностальгические эмоции у Вас всех!

Radio Alaska NSK old fashioned rock music

музыка: реп фактор 2 стим 50 сent eminмузыка: BE. музыка: реп фактор 2 стим 50 сent eminмузыка: BEYONCE AND SHAK, rihanna - don't stop the music (radio edit), 16 -, Who Knew, Without Me, Without Me Pt. 1 (remix), Without Me Pt. 2 (remix), Words Are Weapons, Yellow Brick Road, You Don`t Know (feat. 5LINKING PARK, We are the champions, , 911 (feat. B-real & Ganxsta Ridd), Adrenaline Rush, Adrenaline Rush, Amityville, Any Man, Any Man (remix), Aquare Dance, Aquare Dance, Ass Like That, Ass Like That, Bad Guys Always Die(ft.dr.dre), Big Weenie, Bitch Please Ii, Business, Business, Business (remix), Cleaning Out My Closet, Cleaning Out My Closet (remix), Cleanin` Out My Closet, Cleanin` Out My Closet, Crazy In Love, Criminal, Drips, Drug Ballad, Drunk Freestyle, Encore / Curtains Down, Evil Deeds, Evil Deeds (produced By Dr. Dr, Fack, Feel So Empty Without Me(remix, Forgot About Dre, Gatman And Robin (feat. 50 Cent), Git Up (feat. D-12), Guilty Conscience (remix), Hailies Song, Hailies Song, Hailie`s Song, Hellbound, How Come, If I Get Locked Up Tonight, Im Having A Relapse, Inspired (interview), Intro (produced By Break), It`s Ok, I`m Back, I`m Shady (remix) (produced By, Jimmy Crack Corn (feat. 50 Cent), Jingle Bells, Jingle Bells, Just Don`t Give A Fuck (remix), Just Lose It, Kill You, Kill You, Kim, Leave Me The Fuck Alone (inter, Like Toy Soldier, Like Toy Soldiers, Like Toy Soldiers, Like Toy Soldiers (clean), Like Toy Soldiers (produced By, Loose Yourself, Lose Yourself Pt. 1 (remix), Lose Yourself Pt. 2 (remix), Love You More, Love You More, Marshall Mathers, Mockingbird (instrumental), Mockingbird (produced By Emine, Mosh, Mosh, Mosh (produced By Dr. Dre & Ma, My 1st Single, My Ballz (feat. D-12), My Dad`s Gone Crazy, My Fault, My Life Into My Music (intervi, My Name Is, My Name Is, Nail In The Coffin, Never Enough (feat. 50 Cent &, Never Enough (feat. 50 Cent &, No Apologies, No Apologies, No Apologies, Nowdays, One Shot 2 Shot, Peep Show (feat. 50 Cent), Perfection (interview), Public Enemy #1, Public Enemy #1, Public Enemy #1, Puke, Purple Pills Feat. D12 (remix), Rabbit Run, Rabbit Run, Rain Man, Rain Man, Real Slim Shady (remix), Remember Me?, Ricky Ticky Toc Rock Bottom, Say Goodbye Hollywood, Say Goodbye Hollywood, Say What You Say, Say What You Say, Scary Movie, Shake That (feat. Nate Dogg), Shit On You (remix), Sing For The Moment, Sing For The Moment Pt. 1 (rem, Sing For The Moment Pt. 2 (rem, Skit (dj Break), Skit (dj Dynomyte), Smack That (feat. Akon), Soldier, Square Dance, Stan, Stan (feat. Dido), Stan (feat.dido), Stimulate, Superman, The Anthem (remix), The Re-up (feat. 50 Cent), The Real Slim Shady, The Way I Am, The Way I Am Pt. 2 (remix), Touchdown (feat. T.i.), Under The Influence, Wanksta (eminem`s Version), Way I Am, The, We As Americans, We As Americans, Welcome 2 Detroit, Welcome 2 Detroit (feat. Trick Trick), Welcome To Detroit (Feat. Trick Trick), When I`m Gone (clean), When The Music Stops, White Am0 Cent, Cashis & Lloyd Banks), You Must Be Crazy, Young People Are Gettin It (in, Пересмешкин(demo), `till I Collapse, `till I CollapseA Kind Of Magic, A1-queen-fat Bottom Girls (rom, Another One Bites The Dust, Another One Bites The Dust, B1-queen-fat Bottom Girls (rom, Bicycle Race, Bohemian Rapsody, Bohemian Rhapsody, Bohemian Rhapsody, Breakthru, Breakthru, Bycicle Race, Crazy Little Thing Called Love, Crazy Little Thing Called Love, Crazy Little Thing Called Love, Death On Two Legs (dedicated T, Don`t Stop Me Now, Don`t Stop Me Now, Driven By You, Fat Bottomed Girls, Fat Bottomed Girls, Flash, Flash, Friends Will Be Friends, Friends Will Be Friends, God Save The Queen, Good Company, Good Old Fashioned Lover Boy, Good Old Fashioned Lover Boy, Hammer To Fall, Hammer To Fall, Headlong, Headlong, Heaven For Everyone, Heaven For Everyone, How Can I Go On, I Want It All, I Want It All, I Want To Be Free, I Want To Break Free, I, m Going Slightly Mad, Innuendo, Innuendo, It, s A Hard Life, It`s A Hard Life, I`m Going Slightly, I`m In Love With My Car, Keep Yourself Alive, Killer Queen, Killer Queen, Las Palabras De Amor, La

музыка: реп фактор 2 стим 50 сent eminмузыка: BE

- FAREWELL -. Marshall Davis Vocals
Wil Andrews Guitar
Kevin Carter Guitar
Jeff Ellis Drums
Buddy Bell Bass
The sophomore album poses an interesting situation for any artist: They can either take the if-it-ain't-broke-don't-fix-it approach, or they can opt to push the envelope and try something progressive, all the while subjecting themselves to potential failure.
On Run It Up the Flagpole, Greensboro, NC pop-punkers FAREWELL have chosen the latter, toeing the line between sugary pop melodies and unbridled punk-rock energy while creating a record that both Top-40 fans and punk purists can enjoy equally. The set follows 2007's Isn't This Supposed To Be Fun!?, which, along with the band's earn-it-yourself attitude, kept Farewell on the road alongside acts including Forever The Sickest Kids, The Secret Handshake, Four Year Strong and Hit The Lights, as well as earning them a spot on last year's Van's Warped Tour.
When facing the task of writing Fun's follow-up, the band — vocalist Marshall Davis, guitarists Wil Andrews and Kevin Carter, bassist Buddy (just buddy) and drummer Jeff Ellis — set out with one goal: to diversify its sound while proving that it's possible to play catchy, pop-based music without pandering to overtly glossy production and studio trickery. So many bands' second record sounds exactly like their first one, and it's almost always a letdown, says Davis. We wanted to continue to move forward as a band and help expand our fans' perception of what pop-punk could be. That's why this new record has its own identity. It's a perfect blend of our past and present.
If you're looking for a record full of snot-nosed vocals and breakneck tempos, you'll probably be disappointed. Instead, Farewell's punk influence is exuded in swagger and attitude, drawing from influences like Jawbreaker and Screeching Weasel. Even so, it's clear the band isn't pulling any punches this time around. Calling out the cookie cutter caffeinated teens, deployed for mass consumption, the lead single Devoid (That's What I Think About It) kicks listeners in the teeth with massive Green Day-sized guitars and its rallying-cry chorus of When did rock and roll become this fucking fashion show!?
No, Farewell has not become a band of crusty punk-rock bellyachers. Nor have they turned their backs on the fan base that's supported them since the beginning. They're simply not willing to stand by and watch their pop-punk scene be overrun by sound-alike clones who care more about looking good than making good music. We're basically a punk-rock band that's more rock than punk, Davis laughs. I wish I could sing like Armstrong, but I guess I'll settle for Hoppus.
Farewell's members, most of whom had grown up playing in various punk and hardcore bands, came together in 2005 and quickly built a name for themselves, touring the Southeast and crafting their upbeat pop-rock sound, all the while showcasing for labels across the country. They eventually caught the ear of Epitaph founder Brett Gurewitz, who signed the group in 2007. It was an ideal situation for the band; many of their influences were veteran Epitaph artists. They understood our band and didn't want to change us, Davis says of the label. They were stoked on what we had to offer and gave us 100% creative control. It was perfect for us.
Throughout Run It Up the Flagpole, Farewell tempers it's us-against-the-world mentality with a hearty dose of earnestness and sincerity. That's best found on Catch As Catch Can, an autobiographical mid-tempo number that recaps the band's history – from its nascent stages in the dive-bars of North Carolina to an eventual deal with Epitaph and subsequent worldwide tourin

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Summer Soderstrom. Summer Rene Soderstrom
💌 contact@summersoderstrom.com
📍Los Angeles 🌈⃤🦋
I am American model, actress, writer and a career as a social media influencer and based in Los Angeles, California. Birthplace Maryland.
🎂 August 14, 1997
#SummerSoderstrom #fashion #modeling #beauty #model #acting #style #portrait #photography

Summer Soderstrom