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CLWR :: официальная группа

- FAREWELL -. Marshall Davis Vocals
Wil Andrews Guitar
Kevin Carter Guitar
Jeff Ellis Drums
Buddy Bell Bass
The sophomore album poses an interesting situation for any artist: They can either take the if-it-ain't-broke-don't-fix-it approach, or they can opt to push the envelope and try something progressive, all the while subjecting themselves to potential failure.
On Run It Up the Flagpole, Greensboro, NC pop-punkers FAREWELL have chosen the latter, toeing the line between sugary pop melodies and unbridled punk-rock energy while creating a record that both Top-40 fans and punk purists can enjoy equally. The set follows 2007's Isn't This Supposed To Be Fun!?, which, along with the band's earn-it-yourself attitude, kept Farewell on the road alongside acts including Forever The Sickest Kids, The Secret Handshake, Four Year Strong and Hit The Lights, as well as earning them a spot on last year's Van's Warped Tour.
When facing the task of writing Fun's follow-up, the band — vocalist Marshall Davis, guitarists Wil Andrews and Kevin Carter, bassist Buddy (just buddy) and drummer Jeff Ellis — set out with one goal: to diversify its sound while proving that it's possible to play catchy, pop-based music without pandering to overtly glossy production and studio trickery. So many bands' second record sounds exactly like their first one, and it's almost always a letdown, says Davis. We wanted to continue to move forward as a band and help expand our fans' perception of what pop-punk could be. That's why this new record has its own identity. It's a perfect blend of our past and present.
If you're looking for a record full of snot-nosed vocals and breakneck tempos, you'll probably be disappointed. Instead, Farewell's punk influence is exuded in swagger and attitude, drawing from influences like Jawbreaker and Screeching Weasel. Even so, it's clear the band isn't pulling any punches this time around. Calling out the cookie cutter caffeinated teens, deployed for mass consumption, the lead single Devoid (That's What I Think About It) kicks listeners in the teeth with massive Green Day-sized guitars and its rallying-cry chorus of When did rock and roll become this fucking fashion show!?
No, Farewell has not become a band of crusty punk-rock bellyachers. Nor have they turned their backs on the fan base that's supported them since the beginning. They're simply not willing to stand by and watch their pop-punk scene be overrun by sound-alike clones who care more about looking good than making good music. We're basically a punk-rock band that's more rock than punk, Davis laughs. I wish I could sing like Armstrong, but I guess I'll settle for Hoppus.
Farewell's members, most of whom had grown up playing in various punk and hardcore bands, came together in 2005 and quickly built a name for themselves, touring the Southeast and crafting their upbeat pop-rock sound, all the while showcasing for labels across the country. They eventually caught the ear of Epitaph founder Brett Gurewitz, who signed the group in 2007. It was an ideal situation for the band; many of their influences were veteran Epitaph artists. They understood our band and didn't want to change us, Davis says of the label. They were stoked on what we had to offer and gave us 100% creative control. It was perfect for us.
Throughout Run It Up the Flagpole, Farewell tempers it's us-against-the-world mentality with a hearty dose of earnestness and sincerity. That's best found on Catch As Catch Can, an autobiographical mid-tempo number that recaps the band's history – from its nascent stages in the dive-bars of North Carolina to an eventual deal with Epitaph and subsequent worldwide tourin

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B-LINKS (The dynasty continues). DEFINITION OF HUSTLERS
If hip hop should die before I wake
I'll put an extended clip inside of my AK
Roll to every station, murder the DJ
Roll to every station, murder the DJ.
If hip hop should die before I wake
I'll put an extended clip inside of my AK
Roll to every station, murder the DJ
Roll to every station, murder the DJ.
Yeah, niggas smoke, chill, party, and die in the same corner
Get cash, live fast, body their man's mama
Rich ass niggas is ridin' with 3 llamas
Revenge in their eyes, Hennesy and the ganja
Word to the wise with villain state of minds
Grindin' hittin' Brazilian dimes from behind
Grindin' hittin' Brazilian dimes from behind
Grindin' hittin' Brazilian dimes from behind
Whenever, if ever, I roll up, it's sown up
Any ghetto will tell you Nas helped grow us up
My face once graced promotional Sony trucks
Hundred million in billin', I helped build 'em up
Gave my nigga my right, I could have gave left
So like my girl Foxy, a nigga went Def
So nigga, who's your top ten?
Is it MC Shan? Is it MC Ren?
If hip hop should die before I wake
I'll put an extended clip inside of my AK
Roll to every station, murder the DJ
Roll to every station, murder the DJ.
If hip hop should die before I wake
I'll put an extended clip inside of my AK
Roll to every station, murder the DJ
Roll to every station, murder the DJ.
The bigger the cat, the bigger the pillin'
Come through, something ill, missin' the ceilin'
What influenced my raps? Stick up's and killin's
Kidnappin's, project buildin's, drug dealin's
Criticize that, why is that?
Cuz now rap is compared to legitimized crack
Cuz we love to talk on ass we gettin'
Most intellectuals will only half listen
So you can't blame jazz musicians
Or David Stern with his NBA fashion issues
Oh I think they like me...in my white teeth
You can't ice me, we here for life B
On my second marriage, hip hop's my first wifey
And for that we not takin' it lightly
If hip hop should die we die together
Bodies in the morgue lie together
All together now.
If hip hop should die before I wake
I'll put an extended clip inside of my AK
Roll to every station, murder the DJ
Roll to every station, murder the DJ.
If hip hop should die before I wake
I'll put an extended clip inside of my AK
Roll to every station, murder the DJ
Roll to every station, murder the DJ.
Everybody sound the same, commercialize the game
Reminiscin' when it wasn't all business
If it got where it started
So we all gather here for the dearly departed
Hip hopper since a toddler
One homeboy became a man then a mobster
If the guys let me get my last swig of Vodka
R.I.P., we'll donate your lungs to a rasta
Went from turntables to mp3s
From Beat Street to commercials on Mickey D's
From gold cables to Jacobs
From plain facials to Botox and face lifts
I'm lookin' over my shoulder
It's about 80 peoples from my hood that showed up
And they came to show love
Sold out concert and the doors are closed shut.
WE KEEPING IT REAL -SAVING HIP HOP -HIP HOP IS ALIVE )))) THE HUSTLE CONTINUES
BLINKS
PRODUCER--K-BOUNCE(B-LINK'S DR DRE)
RAPPERS--
ICE KOOL
DOPIE
MC---
DOTMAN
DJ---
B-LUV (SCRATCH MASTER B)
DREAMZ

B-LINKS (The dynasty continues)

With love, Nadia. Beauty and fashion influencer from UK

With love, Nadia