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Zone-Css

Zone-Css

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ID: 25006768

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Zone-Css

「Qᥙᥱᥱᥒ Rᥱᥣιᥴ ♕」. Entrepreneur, columnist, blogger & influencer - love sharing my passion for fashion, interior, beauty, travel & lifestyle.

「Qᥙᥱᥱᥒ Rᥱᥣιᥴ ♕」

Radio Alaska NSK old fashioned rock music. Группа - как радиоэфир, с трудом прорывающийся с крайнего севера Америки и теряющий след где - то в Сибири!
Под влиянием electric blues и самых несовременных его производных...
The band is like a radio broadcast, just barely breaking through from the extreme north of America and losing track somewhere in Siberia!
Influenced by electric blues and its most outdated derivatives...
И да, мы, музыкой, не несём философскиx message и какие - либо попытки удивить слушателя. У нас узнаваемые стилистические и жанровые рефрены и какой - никакой жизненный опыт. Так что Мы, черт возьми, намерены исчерпывающе кайфануть, от исполняемого, сами и вызвать ностальгические эмоции у Вас всех!

Radio Alaska NSK old fashioned rock music

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- FAREWELL -. Marshall Davis Vocals
Wil Andrews Guitar
Kevin Carter Guitar
Jeff Ellis Drums
Buddy Bell Bass
The sophomore album poses an interesting situation for any artist: They can either take the if-it-ain't-broke-don't-fix-it approach, or they can opt to push the envelope and try something progressive, all the while subjecting themselves to potential failure.
On Run It Up the Flagpole, Greensboro, NC pop-punkers FAREWELL have chosen the latter, toeing the line between sugary pop melodies and unbridled punk-rock energy while creating a record that both Top-40 fans and punk purists can enjoy equally. The set follows 2007's Isn't This Supposed To Be Fun!?, which, along with the band's earn-it-yourself attitude, kept Farewell on the road alongside acts including Forever The Sickest Kids, The Secret Handshake, Four Year Strong and Hit The Lights, as well as earning them a spot on last year's Van's Warped Tour.
When facing the task of writing Fun's follow-up, the band — vocalist Marshall Davis, guitarists Wil Andrews and Kevin Carter, bassist Buddy (just buddy) and drummer Jeff Ellis — set out with one goal: to diversify its sound while proving that it's possible to play catchy, pop-based music without pandering to overtly glossy production and studio trickery. So many bands' second record sounds exactly like their first one, and it's almost always a letdown, says Davis. We wanted to continue to move forward as a band and help expand our fans' perception of what pop-punk could be. That's why this new record has its own identity. It's a perfect blend of our past and present.
If you're looking for a record full of snot-nosed vocals and breakneck tempos, you'll probably be disappointed. Instead, Farewell's punk influence is exuded in swagger and attitude, drawing from influences like Jawbreaker and Screeching Weasel. Even so, it's clear the band isn't pulling any punches this time around. Calling out the cookie cutter caffeinated teens, deployed for mass consumption, the lead single Devoid (That's What I Think About It) kicks listeners in the teeth with massive Green Day-sized guitars and its rallying-cry chorus of When did rock and roll become this fucking fashion show!?
No, Farewell has not become a band of crusty punk-rock bellyachers. Nor have they turned their backs on the fan base that's supported them since the beginning. They're simply not willing to stand by and watch their pop-punk scene be overrun by sound-alike clones who care more about looking good than making good music. We're basically a punk-rock band that's more rock than punk, Davis laughs. I wish I could sing like Armstrong, but I guess I'll settle for Hoppus.
Farewell's members, most of whom had grown up playing in various punk and hardcore bands, came together in 2005 and quickly built a name for themselves, touring the Southeast and crafting their upbeat pop-rock sound, all the while showcasing for labels across the country. They eventually caught the ear of Epitaph founder Brett Gurewitz, who signed the group in 2007. It was an ideal situation for the band; many of their influences were veteran Epitaph artists. They understood our band and didn't want to change us, Davis says of the label. They were stoked on what we had to offer and gave us 100% creative control. It was perfect for us.
Throughout Run It Up the Flagpole, Farewell tempers it's us-against-the-world mentality with a hearty dose of earnestness and sincerity. That's best found on Catch As Catch Can, an autobiographical mid-tempo number that recaps the band's history – from its nascent stages in the dive-bars of North Carolina to an eventual deal with Epitaph and subsequent worldwide tourin

Nheira. birth date:Jan 8th
height:161cm--
hobby: staring, sleeping
my fragrance: Lacoste
specialty: strangeness
favorite drink: milk
favorite color: black
Nheira is manga-ka and musician whose work was published in Japan, Europe and the USA. He has been influenced by Japanese culture, especially Visual-kei music and Manga. In 2006, he released his first manga “IN THE END” by TOKYOPOP GmbH. ITE was a collaborated project. In 2007, he joined the compilation album “TOKYO ROCK CITY” with his song “バカモノの詩”(Bakamono no Uta) which was released by SONY MUSIC ENTERTAINMENT, it was focused on introducing Japanese rock music. In November of the same year, he started to contribute “LIKE EVIL” to the Japanese visual-kei music magazine CURE.. In December of the same year, he published an art book “LIBERTY-RAISED OUT OF DIRT-“. Photos, illustrations, poems, mangas, short stories… he introduced various ways to express his inside story. Then the next April, LIBERTY Japanese version was published in Japan as “LIBERTY-腐敗からの解放. In February of 2008, serial manga ”Utsusemi” started at MARUIONE.JP. MARUIONE.JP is international shopping site of Marui Co., Ltd. (Marui is a Japanese retail company which operates a chain of department stores in Tokyo.) Utsusemi was provided in three different languages such as Japanese, English and French. In September of same year, the free manga and fashion based magazine “NHEIRA” was released. In the same year, Nheira worked as model for the japanese fashion label HIDEROCK Design and played the support guitar for the visual kei band Hear. Now he has laid the foundation into full-scale activity in Japan. 2009 'In the End' released in Japan at the same time with his new serialized Manga 'RAINY DAY'.