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Роботы с камня!!!

Роботы с камня!!!

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✧･ﾟ: *✧･ﾟ:* 　pompom　*:･ﾟ✧*:･ﾟ✧. enfant mannequin et actrice;;
8ans // 130cm // 29kg
𖤣 spain, madrid ✈ paris, france
POMME GARDIEU BURNHAM
model, artist, dancer, fashion influencer
speaks 6 languages;
spanish, english, russian, french, portuguese & italian
🎬 MODEL e ARTIST agc. by RAIN COMPANY®
compte géré par les parents -ˋˏ ༻✿༺ ˎˊ- account managed by parents.
((role player))
📽 WATCH ME:
TIN & TINA (netflix)
AYLA Y LOS MIRROR (disneyplus)
INVISIBLE (disneyplus)
AHORA VUELVO
DARK GIRLS (primevideo)
NASDROVIA (primevideo)
PAN: LA NADA (youtube)
pequeñas apariciones ↓
CULPA MIA (primevideo)
LAS PELOTARIS 1926 (vix)
ALGUIEN QUE CUIDE DE MÍ (primevideo)
EL CID (primevideo)
EL MINISTERIO DEL TIEMPO (televisión española)

✧･ﾟ: *✧･ﾟ:* 　pompom　*:･ﾟ✧*:･ﾟ✧

LiveFit. ™ Apparel

- FAREWELL -. Marshall Davis Vocals
Wil Andrews Guitar
Kevin Carter Guitar
Jeff Ellis Drums
Buddy Bell Bass
The sophomore album poses an interesting situation for any artist: They can either take the if-it-ain't-broke-don't-fix-it approach, or they can opt to push the envelope and try something progressive, all the while subjecting themselves to potential failure.
On Run It Up the Flagpole, Greensboro, NC pop-punkers FAREWELL have chosen the latter, toeing the line between sugary pop melodies and unbridled punk-rock energy while creating a record that both Top-40 fans and punk purists can enjoy equally. The set follows 2007's Isn't This Supposed To Be Fun!?, which, along with the band's earn-it-yourself attitude, kept Farewell on the road alongside acts including Forever The Sickest Kids, The Secret Handshake, Four Year Strong and Hit The Lights, as well as earning them a spot on last year's Van's Warped Tour.
When facing the task of writing Fun's follow-up, the band — vocalist Marshall Davis, guitarists Wil Andrews and Kevin Carter, bassist Buddy (just buddy) and drummer Jeff Ellis — set out with one goal: to diversify its sound while proving that it's possible to play catchy, pop-based music without pandering to overtly glossy production and studio trickery. So many bands' second record sounds exactly like their first one, and it's almost always a letdown, says Davis. We wanted to continue to move forward as a band and help expand our fans' perception of what pop-punk could be. That's why this new record has its own identity. It's a perfect blend of our past and present.
If you're looking for a record full of snot-nosed vocals and breakneck tempos, you'll probably be disappointed. Instead, Farewell's punk influence is exuded in swagger and attitude, drawing from influences like Jawbreaker and Screeching Weasel. Even so, it's clear the band isn't pulling any punches this time around. Calling out the cookie cutter caffeinated teens, deployed for mass consumption, the lead single Devoid (That's What I Think About It) kicks listeners in the teeth with massive Green Day-sized guitars and its rallying-cry chorus of When did rock and roll become this fucking fashion show!?
No, Farewell has not become a band of crusty punk-rock bellyachers. Nor have they turned their backs on the fan base that's supported them since the beginning. They're simply not willing to stand by and watch their pop-punk scene be overrun by sound-alike clones who care more about looking good than making good music. We're basically a punk-rock band that's more rock than punk, Davis laughs. I wish I could sing like Armstrong, but I guess I'll settle for Hoppus.
Farewell's members, most of whom had grown up playing in various punk and hardcore bands, came together in 2005 and quickly built a name for themselves, touring the Southeast and crafting their upbeat pop-rock sound, all the while showcasing for labels across the country. They eventually caught the ear of Epitaph founder Brett Gurewitz, who signed the group in 2007. It was an ideal situation for the band; many of their influences were veteran Epitaph artists. They understood our band and didn't want to change us, Davis says of the label. They were stoked on what we had to offer and gave us 100% creative control. It was perfect for us.
Throughout Run It Up the Flagpole, Farewell tempers it's us-against-the-world mentality with a hearty dose of earnestness and sincerity. That's best found on Catch As Catch Can, an autobiographical mid-tempo number that recaps the band's history – from its nascent stages in the dive-bars of North Carolina to an eventual deal with Epitaph and subsequent worldwide tourin

CHEESE PEOPLE в КИЕВЕ!!!!. Russian madness from Samara. Cheese People is a four-piece band that mixes together funk, disco, electronica and hip-hop and has no analogues in Russia and even in the whole world. The sound is influenced by european indie and electronica bands and the vocals are bit like Russian adaptation of j-pop vocal style. This band actually reminded some of ?apanese female fronted bands like YMCK, Plus-Tech Squeeze Box etc. They gained some attention after their song Uaaa…a! appeared in 2008 Russian movie hit Rozidgysh (Prank) and now Cheese People are smashing clubs all over the country. Their debut self-titled release is varying from electronic pieces similar to The Prodigy to post-punk songs like Catch U. It’s a structural madness that needs a few spins before you get into it. If you are looking for some fresh and good Russian bands don’t miss this crazy team. (via indiespeaker.com)
Cheese People are the heroes of the loudest hype in Russia nowadays – suddenly this quartet of bashful unremarkable students from the banks of Volga river became the most fashionable disco-punk band in the country. Cheese People already had participated in a few important international festivals and shared the stage with Datarock, Solex and Junior Boys, and played a lot of crazy club shows. 12th September 2008 their debut eponymous CD will be released by Moscow-based indie-label Snegiri Music. It's hard to believe that all of this 11 frisky tracks were recorded in the bedroom of Anton Zalygin – and it's seems incredible, that he had not been inspired by modern british glam nu-ravers. This no-budget self-produced record sounds more poverfull and groovy than all russian major hits – due to the felicitous combination of catchy melodies, senseless lyrics, a thorough work with samples and unusual meow-style vocal by Olya Chubarova, this band can become a first international indiependent hitbraker from Russia since TaTu. They are really too good to be true, and too ambitious to fail. Fortunately, they are not wasting the time and already seek for international partnership – by the way, the brilliant cover artwork of the CD was made by Australian comics artist Marc Lynch. Probably, the only thing can prevent their success is russian mafia (Cheese People already had some problems) and disgusting character of good-looking frontwoman –when this cheese people babe is in bad mood, she can just tear off one's head.

CHEESE PEOPLE в КИЕВЕ!!!!

ERRA. Genre: Progressive Metalcore
JT Cavey- Vocals
Jesse Cash- Guitar/Vocals
Alex Ballew- Drums
Sean Price - Guitar
Label: Sumerian Records
Drift out on April 8 via Sumerian Records.
Pre-Orders Coming Soon - http://erra.merchnow.com
ERRA is a four-piece progressive metalcore band hailing from Birmingham, Alabama that formed in 2009. Their namesake comes from Akkadian mythology and represents mayhem. The band, consisting of Ian Eubanks, Jesse Cash, Sean Price and Alex Ballew, solidified their technical sound after relentlessly practicing and writing. They take their influences from well respected groups like Misery Signals, Born of Osiris, As I Lay Dying and Saosin, and thrive on being creative and showcasing their talent through their intense live performances. ERRA takes great pleasure in offering their refreshing sound in a sometimes stale and over-saturated market. It’s not about fashion or status; it’s about using raw talent and energy to create genuine songs that will give hope to the listener.
Their album Augment was released on Tragic Hero Records and maintains their technical ability, while presenting songs with the potential to embrace a broader audience. The word “Augment” means to enhance or grow, which is what the band believes they have achieved on the album. “It’s a very appropriate title based on everything we are trying to accomplish and all the growth we have gone through since our last record,” says guitarist Jesse Cash. “Nothing is taken away or watered down, only improved upon, and if anything, we accentuated all the parts that people wanted to hear more of this time around.”
Following the release of Augment was their debut EP “Moments of Clarity.” The band made necessary changes to assist their stylistic growth and progressive musical talents. Newly signed to Sumerian Records, ERRA hit the road with musical influences Born of Osiris in late 2014 playing for thousands of people across North America. Their first confirmed tour in 2015 is with metal phenomenon, August Burns Red. In Spring 2015, ERRA will be taking their talents to another level as they go to record their first studio album with Sumerian Records.