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club67482018
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Этот практический курс предназначен для начинающих специалистов: дизайнеров, архитекторов, закончивших высшие учебные заведения в области дизайна, архитектуры, ландшафтного проектирования. В ходе программы молодые специалисты прослушают курс лекций ведущих дизайнеров - практиков, специалистов разных областей, которые расскажут об основных особенностях профессии. Так же, у слушателей будет возможность применить услышанное в ходе модулей.
Запланированы занятия на реализованных объектах, в музеях и знаковых объектах города, экскурсии в салоны продаж и др..
По итогам программы, будут отобраны лучшие участники, которые продолжат работу в студии дизайна "Архитектура Интерьера", некоторые же из начинающих специалистов, будут закреплены за проектами в качестве помощников для дальнейшего обучения.
![BETTINA KÖSTER. Bettina Köster (born 15 June 1959 in Herford) is a German musician, saxophonist, composer, singer, songwriter and producer.
Mania D: 1979–1981[edit]
Fall 1978, Köster, student of the Berlin art school Hochschule der Künste, began playing Saxophone for the Berlin underground band DIN A Testbild. In May 1979 Köster started with Karin Luner, Beate Bartel, Eva Gossling and Gudrun Gut an all-girls-band project Mania D. In Fall 1979 Mania D performed in New York at Arleen Schloss A’s, and in the Club Tier 3.
In the same year she opened with Gudrun Gut the store Eisengrau (metalgrey), showing underground fashion, Super 8-movies and artwork as part of the concept. Köster’s Eisengrau-concept emerged to a scene hot-spot for Tabea Blumenschein, Alexander von Borsig, Blixa Bargeld and others. 1980 Eisengrau began publishing small editions of tapes with the musical works of underground bands, classifying thereby Eisengrau to a medium for music.
Bettina Köster belonged to a group of Berlin artists named genius dilettantes, who, starting in 1980, performed in quick changing band-formations such as Liebesgier, Nachdenkliche Wehrpflichtige and Einstürzende Neubauten among others. Wolfgang Müller from Die Tödliche Doris invented the characterizing term of the „genius dilettantes“ in his book about the Berlin scene published at the Merve-Verlag. The British radiohost John Peel referred to Köster, Gut and Beate Bartel who meanwhile had separated, during a show on 25. July 1981, as his „Queens of Noise“. Mania D’s produktion track 4 was chosen by Peel in his Radio-Show to as the single of the year.
Malaria!: 1981–1984[edit]
In the same year Köster and Gudrun Gut started the Indie band Malaria! Malaria! gained international recognition with their song Kaltes klares Wasser, they performed at the New Yorker Studio 54 and Mudd Club. Malaria toured with Siouxsie and the Banshees and The Birthday Party among others. As a lyricist Köster influenced succeeding girl Bands, such as Chicks On Speed, who released a cover version of Malaria's 1981 Hit Kaltes Klares Wasser. In Playboy Magazine January 1985 “The Girls of Rock 'n' Roll“, she is model together with Grace Jones, Tina Turner, Pat Benatar and Diana Ross.
Solo career: 1984–2009[edit]
Köster lived in New York from 1983 to 2001, where she worked as a film author and producer with the director Isabel Hegener. In 1997, Köster composed the music for the film Peppermills, which won 1998 at the Berlinale the Teddy Award in the category Best Short Film. The film was directed by the Swiss Isabel Hegener, later producing a 2003 released documentary Burma: Anatomy of Terror which was co produced by Köster. While researching Burma for the film, Köster came across material about the drug princess Olive Yang, laying the foundation for the thriller Mandalay Moon, which she wrote together with Martin Schacht, published 2007 by Rowohlt. In 2005 Köster performed with the musician Jessie Evans in the supporting program of The Vanishing. This led to the music project Autonervous, releasing an album in 2006.
Current work[edit]
Since 2009, when Queen of Noise was published on Assinela Records, Vienna, Köster performs regularly with the Viennese drummer Ines Perschy in Clubs and on Festivals like Waregem in Belgium, Wave-Gotik-Treffen in Leipzig/Germany. She lives in southern Italy.](https://sun9-56.userapi.com/s/v1/if2/oL8nnbMoPZUU8ErnGiWMtt1HM334WEuWiHe9Baj3oj9qw4Bk01ZMXXmgQ87bEwpLpsT6jrpxI1VTKVNN1RGyZnq0.jpg?quality=96&crop=0,188,1500,1500&as=32x32,48x48,72x72,108x108,160x160,240x240,360x360,480x480,540x540,640x640,720x720,1080x1080,1280x1280,1440x1440&ava=1&cs=480x480 "BETTINA KÖSTER. Bettina Köster (born 15 June 1959 in Herford) is a German musician, saxophonist, composer, singer, songwriter and producer.
Mania D: 1979–1981[edit]
Fall 1978, Köster, student of the Berlin art school Hochschule der Künste, began playing Saxophone for the Berlin underground band DIN A Testbild. In May 1979 Köster started with Karin Luner, Beate Bartel, Eva Gossling and Gudrun Gut an all-girls-band project Mania D. In Fall 1979 Mania D performed in New York at Arleen Schloss A’s, and in the Club Tier 3.
In the same year she opened with Gudrun Gut the store Eisengrau (metalgrey), showing underground fashion, Super 8-movies and artwork as part of the concept. Köster’s Eisengrau-concept emerged to a scene hot-spot for Tabea Blumenschein, Alexander von Borsig, Blixa Bargeld and others. 1980 Eisengrau began publishing small editions of tapes with the musical works of underground bands, classifying thereby Eisengrau to a medium for music.
Bettina Köster belonged to a group of Berlin artists named genius dilettantes, who, starting in 1980, performed in quick changing band-formations such as Liebesgier, Nachdenkliche Wehrpflichtige and Einstürzende Neubauten among others. Wolfgang Müller from Die Tödliche Doris invented the characterizing term of the „genius dilettantes“ in his book about the Berlin scene published at the Merve-Verlag. The British radiohost John Peel referred to Köster, Gut and Beate Bartel who meanwhile had separated, during a show on 25. July 1981, as his „Queens of Noise“. Mania D’s produktion track 4 was chosen by Peel in his Radio-Show to as the single of the year.
Malaria!: 1981–1984[edit]
In the same year Köster and Gudrun Gut started the Indie band Malaria! Malaria! gained international recognition with their song Kaltes klares Wasser, they performed at the New Yorker Studio 54 and Mudd Club. Malaria toured with Siouxsie and the Banshees and The Birthday Party among others. As a lyricist Köster influenced succeeding girl Bands, such as Chicks On Speed, who released a cover version of Malaria's 1981 Hit Kaltes Klares Wasser. In Playboy Magazine January 1985 “The Girls of Rock 'n' Roll“, she is model together with Grace Jones, Tina Turner, Pat Benatar and Diana Ross.
Solo career: 1984–2009[edit]
Köster lived in New York from 1983 to 2001, where she worked as a film author and producer with the director Isabel Hegener. In 1997, Köster composed the music for the film Peppermills, which won 1998 at the Berlinale the Teddy Award in the category Best Short Film. The film was directed by the Swiss Isabel Hegener, later producing a 2003 released documentary Burma: Anatomy of Terror which was co produced by Köster. While researching Burma for the film, Köster came across material about the drug princess Olive Yang, laying the foundation for the thriller Mandalay Moon, which she wrote together with Martin Schacht, published 2007 by Rowohlt. In 2005 Köster performed with the musician Jessie Evans in the supporting program of The Vanishing. This led to the music project Autonervous, releasing an album in 2006.
Current work[edit]
Since 2009, when Queen of Noise was published on Assinela Records, Vienna, Köster performs regularly with the Viennese drummer Ines Perschy in Clubs and on Festivals like Waregem in Belgium, Wave-Gotik-Treffen in Leipzig/Germany. She lives in southern Italy.")
![lavers of music [SONG AS OLD AS RHYME]. для тех кто наслаждается жизнью 24\7
и конечно пречастен к городу СИНСИТИ...+)
R&B
Contemporary R&B is a genre of American popular music, the current iteration of the genre that began in the 1940s as rhythm and blues music. Although the acronym R&B originates from its association with traditional rhythm and blues music, the term R&B is today most often used to define a style of African American music originating after the demise of disco in the 1980s. This newer style, often described as contemporary R&B, combines elements of soul, funk, pop, and, from 1986 on, hip hop.
The abbreviation R&B is almost always used instead of the full rhythm and blues term, although some sources refer to the style as urban contemporary (the name of the radio format that plays hip hop and contemporary R&B) or urban pop.
Contemporary R&B has a slick, electronic record production style, drum machine-backed rhythms, and a smooth, lush style of vocal arrangement. Uses of hip hop-inspired beats are typical, although the roughness and grit inherent in hip hop is usually reduced and smoothed out.
ROCK
Rock and roll (also known as rock 'n' roll), is a genre of music that evolved in the United States in the late 1940s and became popular in the early 1950s, and quickly spread to the rest of the world. It later spawned the various sub-genres of what is now called simply 'rock', usually accompanied by lyrics. The beat is basically a boogie woogie blues rhythm with an accentuated backbeat, the latter almost always provided by a snare drum. Classic rock and roll is played with one electric guitar or two electric guitars (one lead, one rhythm), an electric bass guitar, and a drum kit. Keyboards are a common addition to the mix. In the rock and roll style of the early 1950s, the saxophone was often the lead instrument, replaced by guitar in the mid 1950s. In the earliest form of rock and roll, during the late 1940s, the piano was the lead instrument, and indeed, among the roots of rock and roll is the boogie woogie piano of the big-band era that dominated American music in the 1940s.
The massive popularity and eventual worldwide scope of rock and roll gave it an unprecedented social impact. Far beyond simply a musical style, rock and roll influenced lifestyles, fashion, attitudes, and language. Many of its early stars, notably Elvis Presley, built movie and/or television careers around their music.
The term rock and roll, which was black slang for dancing or sex, appeared on record for the first time in 1922 on Trixie Smith's My Baby Rocks Me With One Steady Roll. The word rock had a long history in the English language as a metaphor for to shake up, to disturb or to incite. The verb Roll was a medieval metaphor which meant having sex. Writers for hundreds of years have used the phrases They had a roll in the hay or I rolled her in the clover. [1] In 1934 the Boswell Sisters were referring to the rock and roll of waves in their song Rock and Roll [2] Country singer Tommy Scott was referring to the motion of a railroad train in the 1951 Rockin and Rollin'.](https://sun9-18.userapi.com/impf/c39/g74250/b_b16af21.jpg?quality=96&as=32x32,48x48,72x72&sign=014e170300c913cc0eb25a4ccbf07ac3&u=eJLcHbbSQlp0zh12heIeNnjO-bBaZdrlaRfHLZujFfc&cs=480x480 "lavers of music [SONG AS OLD AS RHYME]. для тех кто наслаждается жизнью 24\7
и конечно пречастен к городу СИНСИТИ...+)
R&B
Contemporary R&B is a genre of American popular music, the current iteration of the genre that began in the 1940s as rhythm and blues music. Although the acronym R&B originates from its association with traditional rhythm and blues music, the term R&B is today most often used to define a style of African American music originating after the demise of disco in the 1980s. This newer style, often described as contemporary R&B, combines elements of soul, funk, pop, and, from 1986 on, hip hop.
The abbreviation R&B is almost always used instead of the full rhythm and blues term, although some sources refer to the style as urban contemporary (the name of the radio format that plays hip hop and contemporary R&B) or urban pop.
Contemporary R&B has a slick, electronic record production style, drum machine-backed rhythms, and a smooth, lush style of vocal arrangement. Uses of hip hop-inspired beats are typical, although the roughness and grit inherent in hip hop is usually reduced and smoothed out.
ROCK
Rock and roll (also known as rock 'n' roll), is a genre of music that evolved in the United States in the late 1940s and became popular in the early 1950s, and quickly spread to the rest of the world. It later spawned the various sub-genres of what is now called simply 'rock', usually accompanied by lyrics. The beat is basically a boogie woogie blues rhythm with an accentuated backbeat, the latter almost always provided by a snare drum. Classic rock and roll is played with one electric guitar or two electric guitars (one lead, one rhythm), an electric bass guitar, and a drum kit. Keyboards are a common addition to the mix. In the rock and roll style of the early 1950s, the saxophone was often the lead instrument, replaced by guitar in the mid 1950s. In the earliest form of rock and roll, during the late 1940s, the piano was the lead instrument, and indeed, among the roots of rock and roll is the boogie woogie piano of the big-band era that dominated American music in the 1940s.
The massive popularity and eventual worldwide scope of rock and roll gave it an unprecedented social impact. Far beyond simply a musical style, rock and roll influenced lifestyles, fashion, attitudes, and language. Many of its early stars, notably Elvis Presley, built movie and/or television careers around their music.
The term rock and roll, which was black slang for dancing or sex, appeared on record for the first time in 1922 on Trixie Smith's My Baby Rocks Me With One Steady Roll. The word rock had a long history in the English language as a metaphor for to shake up, to disturb or to incite. The verb Roll was a medieval metaphor which meant having sex. Writers for hundreds of years have used the phrases They had a roll in the hay or I rolled her in the clover. [1] In 1934 the Boswell Sisters were referring to the rock and roll of waves in their song Rock and Roll [2] Country singer Tommy Scott was referring to the motion of a railroad train in the 1951 Rockin and Rollin'.")
