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Лекции о кино

Лекции о кино

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lecturesoncinema

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В этой группе мы будем выкладывать лекции и мастер классы о кино.

Nheira. birth date:Jan 8th
height:161cm--
hobby: staring, sleeping
my fragrance: Lacoste
specialty: strangeness
favorite drink: milk
favorite color: black
Nheira is manga-ka and musician whose work was published in Japan, Europe and the USA. He has been influenced by Japanese culture, especially Visual-kei music and Manga. In 2006, he released his first manga “IN THE END” by TOKYOPOP GmbH. ITE was a collaborated project. In 2007, he joined the compilation album “TOKYO ROCK CITY” with his song “バカモノの詩”(Bakamono no Uta) which was released by SONY MUSIC ENTERTAINMENT, it was focused on introducing Japanese rock music. In November of the same year, he started to contribute “LIKE EVIL” to the Japanese visual-kei music magazine CURE.. In December of the same year, he published an art book “LIBERTY-RAISED OUT OF DIRT-“. Photos, illustrations, poems, mangas, short stories… he introduced various ways to express his inside story. Then the next April, LIBERTY Japanese version was published in Japan as “LIBERTY-腐敗からの解放. In February of 2008, serial manga ”Utsusemi” started at MARUIONE.JP. MARUIONE.JP is international shopping site of Marui Co., Ltd. (Marui is a Japanese retail company which operates a chain of department stores in Tokyo.) Utsusemi was provided in three different languages such as Japanese, English and French. In September of same year, the free manga and fashion based magazine “NHEIRA” was released. In the same year, Nheira worked as model for the japanese fashion label HIDEROCK Design and played the support guitar for the visual kei band Hear. Now he has laid the foundation into full-scale activity in Japan. 2009 'In the End' released in Japan at the same time with his new serialized Manga 'RAINY DAY'.

Richard Dinsdale

George Winston. Self-described rural folk piano player George Winston was among the earliest and most successful proponents of the genre of contemporary instrumental music later dubbed new age. Although born in Michigan in 1949, he was raised primarily in Montana, the extreme seasonal changes he experienced there later greatly influencing the pastoral feel of his music. Even as a child, Winston preferred instrumental music over vocal performances, counting among his early heroes Booker T. & the MG's, Floyd Cramer, and the Ventures; he did not take up music until after high school, however, beginning with organ and electric piano but moving to acoustic piano by 1971. Influenced by the stride piano of Fats Waller and Teddy Wilson, Winston turned from rock and R&B to jazz, and soon released his first solo piano effort, Ballads and Blues 1972, after which he mysteriously retired from music for the next several years.
Discovering the music of the legendary New Orleans R&B pianist Professor Longhair in 1979 was the epiphany Winston was seeking to inspire a return to performing; signing to the Windham Hill label, between 1980 and 1982 he recorded a trilogy of albums -- Autumn, December, and Winter Into Spring -- of impressionistic, seasonal-themed piano musings which laid much of the groundwork for the new age boom to follow. Winston's music continued to grow in popularity and influence in the years to follow, but in typically enigmatic fashion, he virtually dropped from sight for the remainder of the 1980s, resurfacing only in 1986 to score a reading of The Velveteen Rabbit by actress Meryl Streep.
Finally, in 1991, Winston returned to action, completing his seasonal cycle with Summer; Forest followed three years later. In 1996, he paid tribute to another of his greatest influences with Linus & Lucy: The Music of Vince Guaraldi. A compilation album, All the Seasons of George Winston, was released in the spring of 1998, followed a year later by Plains. The new millennium brought anniversary editions of several of his landmark albums, including Autumn, December, and Winter Into Spring, as well as the 2001 album Remembrance: A Memorial Benefit, which was Winston's response to the tragic events of September 11, 2001. His 2002 release, Night Divides the Day, focused on the music of one of his earliest influences, the Doors. Montana: A Love Story from 2004 was inspired by Winston's childhood in Montana. An impressive solo piano outing, Gulf Coast Blues & Impressions, released as a benefit set for hurricane relief, appeared from RCA in 2006.
Дискография
1972 - Ballads and Blues
1980 - Autumn
1982 - Winter into Spring
1982 - December
1991 - Summer
1994 - Forest
1996 - Linus and Lucy - The Music of Vince Guaraldi
1999 - Plains
2001 - Remembrance - A Memorial Benefit
2002 - Night Divides the Day - The Music of the Doors
2005 - Montana - A Love Story
2006 - Gulf Coast Blues & Impressions: A Hurricane Relief Benefit
2010 - Love Will Come – The Music of Vince Guaraldi, Volume 2

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CHEESE PEOPLE в КИЕВЕ!!!!. Russian madness from Samara. Cheese People is a four-piece band that mixes together funk, disco, electronica and hip-hop and has no analogues in Russia and even in the whole world. The sound is influenced by european indie and electronica bands and the vocals are bit like Russian adaptation of j-pop vocal style. This band actually reminded some of ?apanese female fronted bands like YMCK, Plus-Tech Squeeze Box etc. They gained some attention after their song Uaaa…a! appeared in 2008 Russian movie hit Rozidgysh (Prank) and now Cheese People are smashing clubs all over the country. Their debut self-titled release is varying from electronic pieces similar to The Prodigy to post-punk songs like Catch U. It’s a structural madness that needs a few spins before you get into it. If you are looking for some fresh and good Russian bands don’t miss this crazy team. (via indiespeaker.com)
Cheese People are the heroes of the loudest hype in Russia nowadays – suddenly this quartet of bashful unremarkable students from the banks of Volga river became the most fashionable disco-punk band in the country. Cheese People already had participated in a few important international festivals and shared the stage with Datarock, Solex and Junior Boys, and played a lot of crazy club shows. 12th September 2008 their debut eponymous CD will be released by Moscow-based indie-label Snegiri Music. It's hard to believe that all of this 11 frisky tracks were recorded in the bedroom of Anton Zalygin – and it's seems incredible, that he had not been inspired by modern british glam nu-ravers. This no-budget self-produced record sounds more poverfull and groovy than all russian major hits – due to the felicitous combination of catchy melodies, senseless lyrics, a thorough work with samples and unusual meow-style vocal by Olya Chubarova, this band can become a first international indiependent hitbraker from Russia since TaTu. They are really too good to be true, and too ambitious to fail. Fortunately, they are not wasting the time and already seek for international partnership – by the way, the brilliant cover artwork of the CD was made by Australian comics artist Marc Lynch. Probably, the only thing can prevent their success is russian mafia (Cheese People already had some problems) and disgusting character of good-looking frontwoman –when this cheese people babe is in bad mood, she can just tear off one's head.

CHEESE PEOPLE в КИЕВЕ!!!!