Описание
Live from New York, it’s Miley Cyrus!
Kill Brand has hooked up with Trace Cyrus to release his clothing line called, Southern Made Hollywood Paid.
The release is set for July 4th and it will feature everything from shirts to hoodies, bookbags, posters, and bracelets.
Keep checking back to KillBrand.com for more details
The new version of the film will be written and directed by Azuelos, who is the original writer/director of the French film.
And the star-studded cast is rounded out by Twilight superstar beauty Ashley Greene who has been busy filming with Miley in Detroit!
Hannah Montana wasn’t too much of a hit in our house — my kid and her friends all prefer the snappier iCarly, and SpongeBob rules supreme. We never saw Cyrus’ movies. But we like her hits. “7 Things” kicks foolish-boy butt with a forgiving heart; “The Climb” shows her godmother Dolly’s influence. And “Party in the U.S.A.”? You haven’t really heard that song until a back seat full of kindergarteners has sung it to you.
So I didn’t hesitate a bit when the chance arose to make this review assignment a mother-daughter date. I wasn’t alone; the Cyrus show was initially planned as an 18-and-over event, but many concertgoers complained (including plenty of VIP’s, judging by rows of sparkle-drenched tweens and their little sisters lining the balcony) and, day of show, it was announced that youngsters would be admitted.
PG29263 Cyrus emerged on time, as the live stream demanded, marching onstage in leather pants and a cut-out leotard that, like many of her recent costumes, seemed Bob Fosse-inspired. (Her “shocking” costumes of late haven’t really been that revealing, though the brownface of the ice skating-chola getup she rocked at Sunday’s MuchMusic Awards went too far in a different way.) She stalked the stage with her dancers, singing her album’s title track, and then proceeded to chart and belt her way through several selections from “Can’t Be Tamed,” including one song about not letting others rule her actions (“Robot”), another supporting “my gay fans” (“My Heart Beats for Love”), and another encouraging women to leave abusive or confining relationships (“Liberty Walk”).
The sound of the new material was classic rock-lite, with big power chords and a few dance beats thrown in. Cyrus sang the material emphatically, displaying serious lung power throughout. She’s a capable rock belter with that nice rough grain to her voice — a quality that will benefit her as she goes through this harder-hitting vein, which may prove a lifelong path but more likely will make for a logical transition from the candy pop of her youth to the crossover country that’s her best bet for a long career.
PG29263 Cyrus emerged on time, as the live stream demanded, marching onstage in leather pants and a cut-out leotard that, like many of her recent costumes, seemed Bob Fosse-inspired. (Her “shocking” costumes of late haven’t really been that revealing, though the brownface of the ice skating-chola getup she rocked at Sunday’s MuchMusic Awards went too far in a different way.) She stalked the stage with her dancers, singing her album’s title track, and then proceeded to chart and belt her way through several selections from “Can’t Be Tamed,” including one song about not letting others rule her actions (“Robot”), another supporting “my gay fans” (“My Heart Beats for Love”), and another encouraging women to leave abusive or confining relationships (“Liberty Walk”).
The sound of the new material was classic rock-lite, with big power chords and a few dance beats thrown in. Cyrus sang the material emphatically, displaying serious lung power throughout. She’s a capable rock belter with that nice rough grain to her voice — a quality that will benefit her as she goes through this harder-hitting vein, which may prove a lifelong path but more likely will make for a logical transition from the candy pop of her youth to the crossove
