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Волки, оборотни, вампиры и любовь

Волки, оборотни, вампиры и любовь

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Кто любит волков🐺?😍🌙💝💜💗💟💖💞💞💞

colin h.. I camera things. Woah. I just used 'camera' as a verb.
I’m Colin, an awkward, skinny, 17-year-old from Florida, USA. I sporadically take pictures, I constantly listen to music, and I occasionally wear cool things. I don’t know what I want to do with my life, but I like the way I live. The internet is my hobby, my passion, and my home, and the people I’ve met through it are my family. I love jellyfish.
FYI: I don't post to groups, so don't bother inviting me. It'll save us both some time. Speaking of time; I really don't have much, don't be insulted if I don't respond to flickrmail.
I’ve lived in the same city my entire life, never moved, rarely travel, and I don’t leave my house that often. I seldom hang out with people, and I don’t know many people locally that I would consider good friends. Where I live, there is very little culture. No good musicians come to town, no good colleges are local, nothing out of the ordinary ever happens. During the summer, it’s hot, humid, and rains every day. My personality and style have been formed exclusively by influences from the internet, because there just isn’t anything here capable of positively influencing somebody. In the last two years I’ve started taking pictures, and I’ve learned a lot from the experience. Even more recently, I’ve become interested in fashion, a natural progression from my style of photography. It’s been a great journey, I’ve been successful on photography and fashion sites like flickr and lookbook, and I’ve been lucky enough to get published in a couple of small art magazines recently. I must be doing something right, eh?
и сюда не забываем зайти
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- FAREWELL -. Marshall Davis Vocals
Wil Andrews Guitar
Kevin Carter Guitar
Jeff Ellis Drums
Buddy Bell Bass
The sophomore album poses an interesting situation for any artist: They can either take the if-it-ain't-broke-don't-fix-it approach, or they can opt to push the envelope and try something progressive, all the while subjecting themselves to potential failure.
On Run It Up the Flagpole, Greensboro, NC pop-punkers FAREWELL have chosen the latter, toeing the line between sugary pop melodies and unbridled punk-rock energy while creating a record that both Top-40 fans and punk purists can enjoy equally. The set follows 2007's Isn't This Supposed To Be Fun!?, which, along with the band's earn-it-yourself attitude, kept Farewell on the road alongside acts including Forever The Sickest Kids, The Secret Handshake, Four Year Strong and Hit The Lights, as well as earning them a spot on last year's Van's Warped Tour.
When facing the task of writing Fun's follow-up, the band — vocalist Marshall Davis, guitarists Wil Andrews and Kevin Carter, bassist Buddy (just buddy) and drummer Jeff Ellis — set out with one goal: to diversify its sound while proving that it's possible to play catchy, pop-based music without pandering to overtly glossy production and studio trickery. So many bands' second record sounds exactly like their first one, and it's almost always a letdown, says Davis. We wanted to continue to move forward as a band and help expand our fans' perception of what pop-punk could be. That's why this new record has its own identity. It's a perfect blend of our past and present.
If you're looking for a record full of snot-nosed vocals and breakneck tempos, you'll probably be disappointed. Instead, Farewell's punk influence is exuded in swagger and attitude, drawing from influences like Jawbreaker and Screeching Weasel. Even so, it's clear the band isn't pulling any punches this time around. Calling out the cookie cutter caffeinated teens, deployed for mass consumption, the lead single Devoid (That's What I Think About It) kicks listeners in the teeth with massive Green Day-sized guitars and its rallying-cry chorus of When did rock and roll become this fucking fashion show!?
No, Farewell has not become a band of crusty punk-rock bellyachers. Nor have they turned their backs on the fan base that's supported them since the beginning. They're simply not willing to stand by and watch their pop-punk scene be overrun by sound-alike clones who care more about looking good than making good music. We're basically a punk-rock band that's more rock than punk, Davis laughs. I wish I could sing like Armstrong, but I guess I'll settle for Hoppus.
Farewell's members, most of whom had grown up playing in various punk and hardcore bands, came together in 2005 and quickly built a name for themselves, touring the Southeast and crafting their upbeat pop-rock sound, all the while showcasing for labels across the country. They eventually caught the ear of Epitaph founder Brett Gurewitz, who signed the group in 2007. It was an ideal situation for the band; many of their influences were veteran Epitaph artists. They understood our band and didn't want to change us, Davis says of the label. They were stoked on what we had to offer and gave us 100% creative control. It was perfect for us.
Throughout Run It Up the Flagpole, Farewell tempers it's us-against-the-world mentality with a hearty dose of earnestness and sincerity. That's best found on Catch As Catch Can, an autobiographical mid-tempo number that recaps the band's history – from its nascent stages in the dive-bars of North Carolina to an eventual deal with Epitaph and subsequent worldwide tourin

George Winston. Self-described rural folk piano player George Winston was among the earliest and most successful proponents of the genre of contemporary instrumental music later dubbed new age. Although born in Michigan in 1949, he was raised primarily in Montana, the extreme seasonal changes he experienced there later greatly influencing the pastoral feel of his music. Even as a child, Winston preferred instrumental music over vocal performances, counting among his early heroes Booker T. & the MG's, Floyd Cramer, and the Ventures; he did not take up music until after high school, however, beginning with organ and electric piano but moving to acoustic piano by 1971. Influenced by the stride piano of Fats Waller and Teddy Wilson, Winston turned from rock and R&B to jazz, and soon released his first solo piano effort, Ballads and Blues 1972, after which he mysteriously retired from music for the next several years.
Discovering the music of the legendary New Orleans R&B pianist Professor Longhair in 1979 was the epiphany Winston was seeking to inspire a return to performing; signing to the Windham Hill label, between 1980 and 1982 he recorded a trilogy of albums -- Autumn, December, and Winter Into Spring -- of impressionistic, seasonal-themed piano musings which laid much of the groundwork for the new age boom to follow. Winston's music continued to grow in popularity and influence in the years to follow, but in typically enigmatic fashion, he virtually dropped from sight for the remainder of the 1980s, resurfacing only in 1986 to score a reading of The Velveteen Rabbit by actress Meryl Streep.
Finally, in 1991, Winston returned to action, completing his seasonal cycle with Summer; Forest followed three years later. In 1996, he paid tribute to another of his greatest influences with Linus & Lucy: The Music of Vince Guaraldi. A compilation album, All the Seasons of George Winston, was released in the spring of 1998, followed a year later by Plains. The new millennium brought anniversary editions of several of his landmark albums, including Autumn, December, and Winter Into Spring, as well as the 2001 album Remembrance: A Memorial Benefit, which was Winston's response to the tragic events of September 11, 2001. His 2002 release, Night Divides the Day, focused on the music of one of his earliest influences, the Doors. Montana: A Love Story from 2004 was inspired by Winston's childhood in Montana. An impressive solo piano outing, Gulf Coast Blues & Impressions, released as a benefit set for hurricane relief, appeared from RCA in 2006.
Дискография
1972 - Ballads and Blues
1980 - Autumn
1982 - Winter into Spring
1982 - December
1991 - Summer
1994 - Forest
1996 - Linus and Lucy - The Music of Vince Guaraldi
1999 - Plains
2001 - Remembrance - A Memorial Benefit
2002 - Night Divides the Day - The Music of the Doors
2005 - Montana - A Love Story
2006 - Gulf Coast Blues & Impressions: A Hurricane Relief Benefit
2010 - Love Will Come – The Music of Vince Guaraldi, Volume 2

Фотограф Influence Studios. Здравствуйте! Меня зовут Акинь. Предлагаю Вам профессиональные фотосессии.
•beauty
•портреты
•fashion
•семейные/детские съемка
•love story
•рекламу
•На природе
•Студийная съемка
• Праздники
•lookbook
•модельные тесты
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Фотограф Influence Studios

Iconic Inc.®. Black Enterprise's | Iconic Inc Magazine
is a millennial's career and lifestyle magazine founded in September of 2019. We are here to showcase the young Black CEOs of today and those that have worked their way up into careers of their choosing.
As the major pop-culture catalyst for today's multicultural millennial, we presume a heady sphere of influence to interact with an audience hungry for what's hot in entertainment, news, top entrepreneurs, health, celebrity, culture, lifestyle, fashion + beauty—all within our far-reaching, multi-media portfolio. Yep! We're hip, engaging, fresh, saucy, informative, and naturally opinionated. At Iconic Inc., we proudly established ourselves as the coolest point of entry for a young, determined audience who won't feel trapped in a box.
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